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睽違九年，龔萬輝以個人首部長篇小說探討時間、記憶與孤獨，故事中的旅程亦將成為疫病下讀者開啟個人時間、記憶的一把金鑰──如果可以選擇，你會打開哪一扇門？
for all the right reasons
and inspired by one of Japan’s most famous haikus
日本当代花道第一人 川濑敏郎 425种来自山野的花草，勾勒灵魂记忆 在东日本大地震后，川濑敏郎从2011年6月开始的一年，用古老、质朴、布满历史痕迹的器皿当做花器，依据时节到山野里找最当令的花叶，融入花器中，并持续在网上连载“一日一花”专栏，广受好评后汇编成这一册精美的图鉴。 366个作品野趣中充满了宁静和雅致，在“空”和“寂”中给人一种生命的启示。在《一日一花》中
Governing Bodies: A Memoir, a Confluence, a Watershed Xiatu 睽違九年，龔萬輝以個人首部長篇小說探討時間、記憶與孤獨，故事中的旅程亦將成為疫病下讀者開啟個人時間、記憶的一把金鑰──如果可以選擇，你會打開哪一扇門？A beautifully rendered debut memoir of family, legacy, conservation, the natural worldand those who inhabit it. As a civil engineer, Sangamithra Iyer knows about resilience from studying soils and water. As an animal rights activist, she advocates for a revolution in how we value and relate to other species. And as the child of immigrants from India, she searches for submerged histories. Animated by a series of questionsHow do we disentangle ourselves
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